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  • Marjorie Wade
    Marjorie Wade
    Visual Artist: Pottery/Ceramics
    Marjorie creates pottery for everyday use and embraces simplicity in each piece. Her work is inspired and influenced by the pottery and artifacts from primitive cultures, particularly those of Africa and prehistoric Japan. She finds it is by incorporating the textural elements and qualities from these traditions into her pottery that allows aspects of these cultures to be part of the world today. The nuances in the patterns and textures found in objects from these countries are essential to Marjorie’s work. She is also influenced by the Japanese folk tradition of Mingei, which honors the simple beauty in everyday objects made for daily use.
  • Megan Wagner
    Megan Wagner
    Actor; Musician; Singer; Teacher / Instructor
    Megan received her BM from Northwestern College, her MM from The University of Oklahoma, and she is finishing her DMA from The University of Oklahoma where she was a Hoving Fellow. Besides maintaining her private studio she shares with Obed, she also teaches voice at Crown College and has performed with Garden of Song Opera, Opera Viva, Opera Arriva, Rose State Live, and Minnesota Opera, and has also performed in numerous professional orchestra guest soloist appearances. Megan Wagner Floan, M.M. & D.M.A. (A.B.D.) and Obed Floan, M.M., NETA-CPT are Minnesota natives, and are the founders of their own music, health & fitness training, and production company, M-OStudio Enterprises, LLC since 2001. They had the drive and the focus over the years to travel far and wide to study voice with master teachers throughout the world in an effort to find the very best techniques to teach to their own students. Their students have landed leading roles in their local communities and schools, not to mention going on to find successful careers on countless numbers of the world’s great operatic & musical theater stages, as well as on TV and the silver screen. They are headliners on major cruise ships traveling all over the world, from leading roles in national tours in “Nice Work If You Can Get It” to international productions from Glyndebourne to Marseille to LA Opera. Megan and Obed held the first annual Summer Vocal Institute at The Stillwater Zephyr Theatre this past summer with a final concert of astounding acclaim at the VIP Grand Opening.
  • Sharon Weiser
    Sharon Weiser
    Teacher / Instructor; Visual Artist: Painting
    A native of Wisconsin, Sharon received her BFA (painting) and K-12 teaching certificate from the University of Wisconsin-Eau Claire in 1977.   Before moving to phoenix in 1992, she taught 2 years in the Art and Design Department at the University of Wisconsin-Stout. For the past 35 years she has conducted classes and workshops in Wisconsin, Arizona, and Minnesota, and New Mexico. Her exceptional versatility of subjects and the use of bold, bright color and mature sense of design impress and fascinate the viewer.  Her award-winning paintings have been in numerous shows and galleries including American Artist, The Artist’s, Phoenix Home and Garden, and Cowboys & Indians magazines. In 2011, after 20 years in Phoenix, she moved to Stillwater and opened her Studio/Gallery, where she teaches classes in drawing, painting and color theory.  Weiser believes that anyone can paint. Her passion to inspire that talent creates a supportive, positive experience in the classroom where all students can achieve the joy of painting.
  • Joshua Wilichowski
    Joshua Wilichowski
    Visual Artist: Drawing Illustration; Visual Artist: Mixed Media; Visual Artist: Painting
    My work results from the search for a chink in a man’s façade, the little respites that are accentuated by a burst of honesty.  These truths are often an inner commentary that contains personal affirmations, lamenting, failed goals, and miscued comebacks.  It is a clear glimpse of a man’s personal substance without the muddiness of overcompensation.  Albeit rare and fleeting, these truthful moments are used as a tool for coping with what is important. The exploration of this phenomenon has been in conjunction with what I consider to be machismo-related objects.  Even through these items are mass-produced, they each contain character through age, use, and presentation.  By juxtaposing these momentary truths against images of these parts and machines, I create allegories that document the search for identity and worth within the submission to a stereotype. I graduated from the University of Wisconsin –Madison with his Bachelor of Fine Arts in 1998. I returned to Madison to earn both a Master of Arts and Master of Fine Arts with an emphasis in sculpture and drawing in 2006 and 2007 respectively.  I maintain an active studio practice, and my work has been exhibited locally, nationally, and internationally.  My newest research interest investigates connections between gender, societal norms, and transference.  I currently live and work in Stillwater, MN.
  • Todd Williams
    Todd Williams
    Visual Artist: Woodworking; Visual Artist: Woodworking
    Since retiring in 2006, Todd has followed his passion for woodturning. All his creations are hand turned on a lathe. He has taken instruction and training from many internationally known woodturners, including David Elsworth, Mark Gardiner, Cindy Drozda, Betty Scarpino, Liam O’Neill, Trent Bosch, and others. Todd has endeavored to master many different styles and forms, using almost entirely woods native to North America and harvested from trees downed by storms or development. “I believe one can achieve exciting colors and distinctive grain patterns using native woods, without encouraging harm to tropical rain forests.” Todd loves making bowls, lidded boxes, and items with tall and delicate finials. More recently, he has explored wooden jewelry and hollow forms. “I enjoy making pieces which are both useful and beautiful, but sometimes I am inspired to pure art, like my chalices and giant eggs.” Surface embellishment with woodburning or carving sometimes graces his pieces with emphasis on organic and natural designs. Todd is a long-time member of the Minnesota Woodturners Association, where he has won many “members choice” awards at monthly contests and served for ten years on the Board of Directors.  He is also a member of the American Association of Woodturners, and he has had two publications in “American Woodturner” magazine. He displays his work in a number of venues, including MWA meetings, American Crafts Council shows, the Phipps Center for the Arts, the Annual Carpenter Nature Center Art Fair in late summer, and on his website. He accepts commissions.  
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