Judy was introduced to Byzantine iconography during an intensive week long workshop. She became completely drawn to this traditional art form. She has studied under Master Iconographers as well as studied the icons of the Masters from ancient times and the history and theology behind iconography. She now creates traditional as well as original icons with an interest in bringing the Western perspective to her icons. Her style emerged, not from an effort to create a style for herself but rather, from her desire to create what is True and Beautiful.

Creating icons in the ancient technique of egg tempera, made from egg yolk and natural pigments from the earth, on naturally gessoed boards with 24k gold leaf on clay bole has become her source of creative expression. In keeping with the tradition, she creates icons applying first the dark base colors (roskrish) and then adds successive layers of lights and tinted veils. She values this ancient technique but also pushes herself to bring a freshness to iconography by reflecting the perspective of the West in a predominantly Eastern art. Her icons typically evoke awe in the viewer. By bringing in the Western perspective, Judy hopes to evoke a feeling of comfort and a greater sense of understanding.

She is the founder and director of St. Croix Catholic Iconographers Guild, which has over 100 members and supports iconographers through education and activities. Additionally, the guild has done mission work on the Standing Rock Indian Reservation and created several icons as a group.